Native son Frank Gehry was commissioned for injecting a bit of cohesion into what was a bit of a hodgepodge of successive additions and remodels to this gallery over the past century or so. In stark contrast to the ROM and Libeskind's effort there, this one is fairly muted from the street. But the interior is more successful, I think. It's a shame that they felt the need to put signage over the glass. It was far more striking without it.